The Annunciation: A Painting by Francisco de Zurbaran :: Essays Papers

The declaration A Painting by Francisco de Zurbaran Works of subterfuge can best be appreciated when the elements of design, the principles of design, and the iconography of the engagement are sight and understood. The annunciation, a impression by the Spanish artist Francisco de Zurbaran, is a work of art that incorporates both the elements and principles of design. The iconography of the painting is of great importance as tumefy as its aesthetic quality.The ability to create a picture of The Annunciation in ones mind is a key divisor in understanding the analysis of the work. Francisco de Zurbaran approaches the painting with a naturalistic style. The painting features a room in which a woman like holy man is seen at the left kneeling on the ground before the sodding(a) bloody shame. The figure of Mary is placed between a chair and a small wooden table draped with a green cloth. Mary disregards an open Bible on the table, as she appears solemn while gaze at the flo or. Floating above the both main figures in the amphetamine left side of the painting are cherubs resting on a tush of defames. They happily gaze down at Mary with eyes from Heaven.The Annunciation uses elements of design to create a visually pleasing picture. The visual elements live of light, color, texture, shape, and line. The use of light is one of the most evident elements in this painting. The rise of light is not directly visible in the painting, but appears as a radiant angelic host floating above the two main figures. Light emphasizes the fair skin of the Angel and Mary as they both look down towards a shadowy floor. Light in any case reflects the open Bible on the table suggesting emphasis on the religion of Mary. The rest of the room remains eerily smuggled and dull.Color is use to draw attention to important characters and objects in the painting. The red of Marys shirt emphasizes her place as the main figure. A bright, yellow cloud floating above the room symbolizes the joy of the angelic figures. De Zurbaran uses warm colour in in the foreground. The room, used as the background for the scene, is painted in dark colors utilizing different hues of gray and brown.An observer can also buzz off a sense of texture in this painting.