he Tarantella Dance in A Dolls house In A Dolls House, Ibsen uses many another(prenominal) symbols. One symbol that is use to symbolize Noras character; is a dancing called the Tarantella. The Tarantella is a folk terpsichore from gray Italy. It goes from an already quick footstep to an level(p) quicker angiotensin converting enzyme, era alternating between major(ip) and minor keys. It is characterized by brisk movements, foot tapping, and on the womens part, blown-up ruffling of petticoats. It involves a lot of really(prenominal) fast spinning and jumping until one cannot dance any longer and is so exhausted they give ear to the ground. It is in constant uncertainty, exchangeable Noras character. The tarantella has a very interesting history. Its name derives from a little southern township of Italy called Taranto. It was believed that if a spider called the tarantula bit the townspeople, the solo carriage to survive its bite was to do a dance called the Tarante lla. The locals believed this was the only cure. If the people bitten did not dance they would suffer severe pain, go through spasms, vomiting; most at long endure died. in that location were not any drugs that could counteract the venom. Many believed that the sweating associated with the dance flushed the venom from the professional dancers bodies. They would continue dancing for hours and even days.
It was so common that musicians patrolled the fields where most of the bites took place in expectancy of being hired to play for the injured. Just as the dancer is difficult to sign up rid of the venom, Nora wa s trying to rid herself of the harmful outs! ide poison. The tarantella serves as her last chance to be Torvalds doll, to dance and amuse him. HELMER: But, my dear Nora, you aroma so worn out. Have you been practising too much? NORA: No, I have... If you want to get a full essay, order it on our website: OrderCustomPaper.com
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