Aristotle said that tragedy has sextuplet primary(prenominal) elements; mend, lawsuit, thought, diction, melody, and spectacle. Aristotle felt that the follow turn up of the play (its plot) was the most classic of the six elements. He said, some(prenominal) human joy or chastening takes the form of action....Character gives us qualities, but it is in our actions--what we do--that we atomic number 18 happy or miserable. There must(prenominal)(prenominal)(prenominal) be Unity of Plot. some(prenominal) events or episodes must be necessary to the main invite a go at it and must also be probable or believable. A good plot has peripety or Discoery--sometimes both. Peripety is the alter from one state of things at the beginning of the play to the accept opposite state by the force out of the play. This could be something like the change over from world exuberant to macrocosm poor, or from existence stiff to being powerless, or from being a ruler to being a beggar. The change that takes step up in a tragedy should take the main character (and possibly other characters) from a state of cheer to a state of misery. Discovery is a change from ignorance to knowledge. This ofttimes happens to the sad hero who starts out uninformed and slowly learns how he himself created the flock he ends up in at the end of the play. Change by itself is non enough.
The character involved in the change must have specific characteristics to arouse the sad emotions of clemency and fear. Therefore, Aristotle said that in that location are three forms of plot that should be avoided. A tout ensemble good man must not pass from happiness to misery. This will make the consultation hazardous that bad things happened to him. They wont kindness him as much as be angry for him. A bad man must not pass from misery to happiness. This wont appeal to... If you want to deposit a full essay, value it on our website: Ordercustompaper.com
If you want to get a full essay, visit our page: write my paper